Media Insights · Episode 8 · October 13, 2026 · 30 min
News Trust in the AI Era
With Ramin Beheshti , Co-founder and CEO, Caliber. Hosted by Jordan Mitchell.
In short
People trust people, not mastheads, and news brands that want to keep younger audiences have to deliver human-curated news on the audience's terms. That is the case Ramin Beheshti makes on Media Insights Episode 8. Ramin is co-founder and CEO of Caliber, the parent company of The News Movement, The Recount, Capsule and The Caliber Collective, and this year Caliber launched SaySo, a news app built around vetted creators and a short daily digest.
Ramin, the former Chief Product & Technology Officer at Dow Jones, explains why legacy newsrooms need to communicate their standards, why AI at Caliber can review a draft but a human always tells the story, why paywalls stop curiosity and SaySo is testing micropayments instead, and why he thinks media is about to rebundle.
“We always want a human involved in the storytelling. We will never hand that over to AI.” Ramin Beheshti, co-founder and CEO of Caliber
Key takeaways
- People trust people. Younger audiences get news from creators as much as from mastheads, and Ramin says legacy newsrooms share the blame: they assumed audiences understood their standards and rarely explained them.
- Short-form video is now everywhere. When The News Movement launched, news executives said a story like Russia's invasion of Ukraine couldn't be told in 60 seconds on TikTok. Now most news apps have short-form video sections.
- A digest with an end. SaySo isn't built to keep people scrolling. Each user gets a short daily digest with at least one world news story plus topics they choose, such as tech, sports or arts and culture.
- Vetted creators, not open posting. Only creators Caliber has vetted can publish on SaySo, and Caliber helps them grow their own audiences and businesses.
- Paywalls stop curiosity. Ramin helped build the paywall at The Wall Street Journal, but he says readers are most likely to subscribe when they're most curious, and a paywall shuts them out right then. SaySo is testing micropayments, so people pay for the digest as they use it.
- AI as reviewer, not writer. At Caliber a human always tells the story. AI tools can review a draft but don't create it, and SaySo deliberately avoids an algorithm that guesses what you want.
- Ramin's 2027 prediction: the media organizations that win will offer human curation and deliver news and information on the audience's terms, as media rebundles around trusted creators and verticals.
Chapters
- Intro
- What Caliber is: The News Movement, The Recount, Capsule, and SaySo
- Why Gen Z, and how to make news for time-poor audiences
- From "no way on TikTok" to short-form video everywhere
- Do people trust peers more than mastheads?
- Journalistic rigor and the case for communicating standards
- AI and editorial policy: where Caliber draws the line
- Building loyalty on SaySo: vetted creators and a daily digest
- Running a two-sided marketplace of creators and audiences
- Beyond ads and subscriptions: micropayments and creator monetization
- Paywalls, curiosity, and personalized digests
- 2027 prediction: AI and the value of human curation
- Rebundling media: one marketplace for video, audio, and editorial
- Where to find Ramin
About the guest
Ramin Beheshti
Co-founder and CEO, Caliber
Ramin Beheshti is the co-founder and CEO of Caliber, the parent company of The News Movement, The Recount, Capsule and The Caliber Collective. In 2026 Caliber launched SaySo, an app that delivers personalized news from vetted creators. Ramin was previously Chief Product & Technology Officer at Dow Jones, and before that Head of Product for The Times and The Sunday Times.
Jordan Mitchell
Host, founder of Growth Stack Media
Jordan creates content about AI's role in media literacy, deepfakes, creator rights and emerging trends in marketing, PR and advertising. His work has been covered by Forbes, Marketing Dive and MediaPost.
FAQ
What is Caliber?
Caliber is a media company co-founded by Ramin Beheshti, who is its CEO. It is the parent company of The News Movement, which makes news for Gen Z; The Recount, which covers US politics for younger audiences; Capsule, a culture brand for women who take culture personally; and The Caliber Collective, which creates social campaigns for brands separately from the newsrooms. In 2026 it launched the SaySo app.
What is SaySo?
SaySo is Caliber's news app. It delivers a short daily digest of news from creators that Caliber has vetted, with at least one world news story plus topics each user chooses, such as tech, sports or arts and culture. The digest has a clear end, so people can get informed and get on with their day.
Why do younger audiences trust creators over traditional news brands?
Ramin Beheshti says people now trust people more than mastheads. He also says legacy newsrooms share the blame, because they assumed audiences understood their standards and rarely explained them, so many people now treat a creator and a journalist who verified three sources the same way.
How does Caliber use AI in its newsrooms?
A human is always involved in the storytelling at Caliber. Ramin says AI tools can review a draft rather than create it, and SaySo deliberately avoids building an algorithm that tries to guess what users want.
Why does Ramin Beheshti think paywalls stop curiosity?
Ramin helped build the paywall at The Wall Street Journal. He says the moment people are most likely to subscribe is when they're most curious, and a paywall stops them right then. SaySo is testing micropayments instead, so people pay for the digest as they use it.
What does Ramin Beheshti predict for 2027?
He says the media organizations that win will recognize the value of human curation and deliver news and information on the audience's terms, as audiences look for sources they can trust.
Full transcript
Jordan Mitchell and Ramin Beheshti · about 4,900 words Hide Show
Generated from the episode audio and lightly edited for readability (filler words and false starts removed). Click any timestamp to play from that point.
Intro
Jordan Mitchell
Hey everyone. Welcome to another episode of Media Insights. Today I'm joined by Ramin Beheshti. He is the CEO of Caliber. He's gonna tell us a little bit more about what he's working on now. Ramin, welcome to the show.
Ramin Beheshti
Hey Jordan, great to be here. Thank you.
Jordan Mitchell
Yeah, glad you're here. I know you've had a pretty like you've been in the media game quite a while and you have a very interesting perspective because you were the CPTO at Dow Jones for a while. You went and then you founded The News Movement with a handful of other founders, and now the parent company of that is Caliber. Very interesting intersection of technology, journalism, media as a whole. I'm sure that you've seen a lot of shifts. So can you tell us a bit more about? What you're working on and what Caliber is.
What Caliber is: The News Movement, The Recount, Capsule, and SaySo
Ramin Beheshti
Yeah, sure Jordan. Look, thanks for having me on as well. Really appreciate the opportunity to get to talk a little bit more about what Caliber has become.
And put simply the whole premise behind, you know, when we started this as The News Movement and then now as Caliber is where the aim is to be a media brand that's pushing convention. So The News Movement set out and is reaching Gen Z with news that they can kind of consume. It's the news that reported in a way that follows the principles of journalism and the traditional media and in the way that it's reported.
The Recount focuses on actually getting younger audiences engaged in US politics, which is no mean feat given the current environment and has been the current environment pretty much from 2016 all the way through. Capsule is another one of our brands. It's much more focused on women who take culture personally. And then we built our own platform, SaySo, which is launched this year and delivers personalized news from trusted creators and actually takes a lot of the learnings from The News Movement, The Recount and Capsule and delivers it in an overall experience. And then we combine all of that on the publishing side with a publisher powered agency, which takes all the insight, all the data, all the knowledge from those brands that we have and create campaigns for organisations such as Movember, KPMG, AstraZeneca, TaskRabbit, where they are thinking about telling stories to audiences, particularly on social, and we help them execute and deliver on those stories.
Jordan Mitchell
And how would you describe that? Is that like your own flavor of brand journalism?
Ramin Beheshti
Yeah, it still follows again the principles that I've grown up with which is it's separate from the news gathering side of the organization, i.e. TNM, The Recount and Capsule. But it takes the understanding and the learning of how do you actually tell a complicated story that brands want to tell? They want to reach audiences directly these days and social is one way of doing that. And so we've created that storytelling unit, which is called The Caliber Collective to be able to help those brands. So yes, it is a form of what I would call custom content white label content, brand journalism, but it does sit separate from the newsrooms.
Why Gen Z, and how to make news for time-poor audiences
Jordan Mitchell
Okay, super interesting. And I saw that a large part of your audience and your creator base is Gen Z focused. Why did you make the decision to go in that direction and what are some of the nuances when creating content for that segment?
Ramin Beheshti
Yeah, I think when we started this business, we realized from the outset and again, our previous kind of employers that young people weren't consuming traditional news in the same way. It had gone behind paywalls. It had become increasingly complex to understand. And I have a huge amount of respect for kind of the journalists that I've worked with throughout my career. They do phenomenal work. But I think that more of the traditional news organizations are talking to kind of certain types of audiences that you they assume, understand everything that's kind of going on. And actually what we decided was, well, we were going to take the principles of well-reported, well-researched, rigorous content, but package it up in a way that people who are time poor, who are not overly interested in every final detail that's going on in Capitol Hill or in parliament or, you know, on the other side of the world, but they want to know enough. They can be informed and engaged and how do you how do you take those principles of journalism but package it up in a different way and reach that Gen Z audience? And that's what we kind of built with The News Movement and then kind of subsequently with The Recount and then SaySo.
Jordan Mitchell
Super interesting. So it's a very much like a short form video first news digest.
From "no way on TikTok" to short-form video everywhere
Ramin Beheshti
Yeah. And anecdotally, when we started this business, you know, TikTok was a thing, but it was kind of known for dance videos. And when we were taking The News Movement around and pitching it, people were like, you know, people in the news industry were like, there's no way that you can do the Ukraine. I remember Ukraine, Russia, Russia just invaded Ukraine at the time. They were like, there's no way you can do that in 60 seconds in video on TikTok. Now.
If you look at most of the kind of more highbrow news apps, they've all got short form video sections in there. So I think, you know, what we tapped into was that this is the way that people want to consume information. You can continue to bury your head in the sand over here, but it's going to cost you audience. Going to cost you the ability to kind of engage. And lo and behold, actually younger audiences aren't growing up on that diet of traditional mastheads. They are much more connecting with different types of news outlets, including creators.
Jordan Mitchell
Yeah, it's really interesting to see how far things have come. You know, close to 14 or 15 years ago, I started out as a as an intern at a affiliate CBS station. And you know, there was digital producers and there was journalists that would, you know, take a take a digital camera with them. They go out and they shoot their story, and it was primarily for web and social. And it seemed to be an area that had some investment, but but not a lot compared to your traditional in studio, like talking head or in the field reporter that has a cameraman and a crew with them. So it's just been really interesting to kind of see how seriously the general public is kind of taking social media as a distribution channel, I would say, in terms of credibility. I think that for a while there was such a high barrier to entry to create and distribute content, but now everyone's kind of got the opportunity.
To do that, if that's something they want to do. So how is Gen Z? And I'm a millennial, admittedly. So I, you know, you might even know more about Gen Z than me, but is there a nuance about like trusting peers to get their news and kind of more word of mouth versus you know wanting to read more long form editorial?
Do people trust peers more than mastheads?
Ramin Beheshti
Yeah, look, I'm also a millennial. I think I'm kind of on the border of millennial and the one above it. So I just scrape in there as an older millennial. I think the trend and it's not just Gen Z anymore. Like it's proliferated. If I look at like people trust people, they trust them to give them information, to give them reviews, to give them recommendations. And increasingly that because social destroyed almost a barrier to entry for content creation, that people trust other people telling them information. That has a world of problems by the way, right? Like you have kind of bad actors, bots, et cetera, creating content just to stir up controversy or to stir up ill feeling but the fundamental principle is that people now trust people a lot more than they do, well I'm going to trust it because it's the masthead and the masthead has always been right and actually I think trust in those kind of traditional media organisations has never been lower.
Jordan Mitchell
No, I would agree, because there's obviously a ton of scandal, but there's still also a lot of credibility and that's been built over time.
Journalistic rigor and the case for communicating standards
Ramin Beheshti
Yeah, just sorry, just to point out, like, I think it's really unfair, right? I genuinely, I've worked in these organizations, the amount of rigor that goes into this and the standard and the quality of the journalism is second to none. I think somewhere along the way, and I was part of this, right? Like I worked in media for 15 years, the communication of those standards, of that quality was assumed, not implicit rather than explicit. And so you even don't know the difference between a well-meaning creator telling what's going on versus the journalist who's kind of verifying three different sources that are saying exactly the same thing. They treat it exactly the same. That's partly down to the platforms fall, but I also put some of the issue on the organizations and not being able to convey the standards and the quality that exists internally in these organizations.
AI and editorial policy: where Caliber draws the line
Jordan Mitchell
As a PR professional, something I've been really interested to kind of see different takes on is how AI is being incorporated in editorial policies. A lot of legacy media, they're very firm and like we don't, this has no place. We don't want to use this at all in our writing. And then you have the fragmented media ecosystem, a lot of former journalists moving to things like substack and building their own personal followings and trying to monetize it. And they're openly talking about hey, they're using AI to help with research, to go through transcripts of interviews, do first drafts. So how are you seeing AI play out and different editorial policies? And does Caliber kind of set its own for your suite of products and brands?
Ramin Beheshti
Yeah, look, I've been somewhat encouraged over the past couple of months about how, kind of, guess, again, these newsrooms are more open to adopting AI to help them move quicker, to move more efficiently, more effectively, but with caution. And I think if I'm honest, that's how we look at it with Caliber, right? Like we always want a human involved in the storytelling. We will never hand that over to AI. But I think there are, again, with the size of our newsrooms, both in the US and the UK, the ability to move more nimbly at adopting these practices the AI tools and the ability for Claude to review a draft rather than to create the draft right. I think we're much more nimble and able to do that and actually with SaySo we've been quite deliberate about not rebuilding an algorithm that tries to guess what the user wants based on what might have read or watched and said they want. And I think that for us was a really kind of deliberate line. I do think people crave a little bit of that human curation, but I think i think that the challenge is that you can't ignore how, and I am a technologist at heart, how incredibly powerful the technology is. And if you harness it in the right way, then I think it can be a massive accelerant for the news industry.
Building loyalty on SaySo: vetted creators and a daily digest
Jordan Mitchell
And so in an age where they're mass content, there seems to be a little bit easier to get high reach intent isn't always as high in terms of like moving someone to a conversion in order to get like a subscriber, let's say. I think audiences kind of are can hop in terms of like where they're consuming their news from platform to platform and ultimately which publication source. So how are you on SaySo kind of creating that brand loyalty so people keep coming back or their niche interests and what are some of those like most popular types of news themes that you're seeing creators make on the platform.
Ramin Beheshti
Yeah, I think first of all, we've kind of broken down our own walled garden. And I think this is also part of the challenge of traditional news. It's kind of like, well, we're only going to put on content that we've created. We've said actually people trust people. Yes, people trust TNM. Yes, people trust The Recount, but they also trust all of these other creators who we built relationships with. So first and foremost, SaySo is a place where there is a certain standard that you have to meet in order to be able to publish content. Not anybody can go on there and publish it. We do the vetting of that and we've built the relationships with those creators. That the first place is kind of if you compare it to some social media, not everybody with an account can just go out there and say what they want. The creators that we select have been doing this for some time, they're trying to do things in a way that I and the company recognise as following the principles of good journalism. The second thing is building a product for the first time in my career that doesn't rely on advertising was a bit of a game changer because if you think about the dynamics of advertising and the social media platform struggle with it, hence why the algorithm, they need to keep you on that platform for as long as possible because every additional second minute, hour is another series of advertisers, advertisements and a series of dollars that come with it. When you decouple that What you realize is that actually people don't want to spend all of their day consuming the news. They just want to get in, get a series of information so they're slightly more informed, slightly smarter than they were before they did it and get on with the rest of their day. And so we built SaySo on this principle of not overwhelming people. Don't have, it deliberately has a start and an end and that start and end is quite quick. It's called the digest. And if that's all you consume in a day, that's brilliant. And so we're trying to build that habit of coming in every day, consuming the digest, consuming it on a range of subjects, but at the core of it is kind of what's going on in the world. So everybody gets at least one piece about what's going on in the world, but then added to that are their personal kind of interests that they've selected. So it could be tech, could be sports, could be arts and culture. All of those are kind of different categories on SaySo and we've got different creators across it.
But you get your digest and you have a sense of completion and a sense of almost calm. Like when I get to the end of it, I'm like, okay, cool, right. I know enough now that I can get on with the rest of the day. I think that for us is quite a big differentiator in how we think and how we're building the platform.
Running a two-sided marketplace of creators and audiences
Jordan Mitchell
I think it's a really interesting like ecosystem that you're building out because it's almost like, I mean, these people are independent creators as well, but they're coming on your platform. I'm sure they're bringing their own audiences with them. Are you seeing instances where they're getting pitch stories like traditional journalists would?
Ramin Beheshti
Yeah, definitely. So first of all, I've been, you know.
It was nerve wracking. We're building essentially a two-sided marketplace where we're bringing in creators and we're trying to bring in audiences and match those two pieces together. So it was quite nerve wracking doing that at the start. I have been overwhelmed by in a positive way, with the kind of attitude, support and investment from the creators on these platforms. Sorry, from on our platform. You know, they've really kind of bought into what we're trying to do. They've helped us build it with us. And I would say actually one of the things that we've differentiated ourselves compared to some of the other platforms that are trying to do a similar thing is the way that we treat them back. So we're trying to help them grow their businesses, grow their kind of audiences, because it all benefits. It's kind of a mutually beneficial situation.
So, yeah, I've been kind of overwhelmed, like I said, in terms of how the creators have taken to the platform and adopted it. They're us bring in audience. They're helping us, like I said, improve elements and aspects of the platform. So it works better for them as well.
Jordan Mitchell
Yeah, I think that there's been a lot of other platforms in the past that have like more generally tried to help creators get payouts, but I haven't seen anything that's journalism specific in this way. So I think that's super interesting. I think backing out a little bit, monetization of multimedia content is in a really interesting place right now. And I'd love to hear a little bit more, just knowing that you were on the tech side of things, especially like at Dow Jones and everything that you've been doing with how the companies evolve very quickly now, like outside of traditional advertising or subscriptions, like what are some other ways that you're seeing media content being able to be monetized in the future?
Beyond ads and subscriptions: micropayments and creator monetization
Ramin Beheshti
Yeah, one of the big things again with SaySo that we're focusing on is this kind of a concept of micropayments. And again, we, are, we are early into it, but the idea was that we don't want to go down this route of you get a subscription, you forget how to cancel the subscription. You don't ever use it. You get a bit irritated that you've got a subscription and you end up cancelling or end up cancelling and coming back at a lower price, which is again what a lot of the media companies are seeing at the moment. For us, it was much more about if you get the digest and you see value in the digest, we are going to kind of charge you for that. As you consume it, you pay a small amount. We're also building out other pieces which allow the more direct monetization of creators. Like you said, there's a few companies that already do that, inside the platform being able to do that. So I definitely see that as a real kind of, opportunity.
If I draw a parallel to gaming, right, I used to buy a 50 pound, $50, sorry, you can still tell even though I've been in America for 12 years struggle with the currency, you used to buy a $50 game and that was it, right? You played your game. Now games are much more kind of free to air, but you pay as you kind of consume and consume different parts of that. And so the model is already there. It's kind of how do you apply it to information consumption? And that's what we're doing with SaySo. So I see that as a big shift and a big opportunity. And then I guess I'll just touch upon the agency.
That's been from day one, a source of great pride. It wasn't something that we necessarily set out to do. And I see a lot of our competitors, if you like, who are doing social first news. They don't have that agency component, but it's allowed us to build great relationships with some fantastic brands. I think I mentioned a few of them, where we can take all the data all the science that we've applied to creating our own social content and help those brands tell their stories to audiences on social as well. And that's been hugely lucrative, right? It's grown, it will grow 100% year on year for the last two years. And it kind of continues to grow quite significantly because more and more brands are realizing that there is the opportunity to tell their story either via creators or directly to their audiences. And we help broker and create that content.
Paywalls, curiosity, and personalized digests
Jordan Mitchell
Yeah, that's really amazing. And something that stuck out to me about what you were saying was it's almost like a full circle moment because also, you know, traditionally people would get their newspapers from a newsstand and you're paying for the paper. You're not gonna pay the newsstand owner, you know, a monthly subscription. And now all this tech has changed the way that people have consumed news digitally online and trying the paywalls, seeing the ups and downs of that. And here we are back again to paying per content piece of content essentially or whatever the digest is. So is it even more nuanced there. Is it, you know, are you pricing feeds differently or is it how much content they're consuming or how are you doing that?
Ramin Beheshti
Yeah, we're at the foothills, right? So we are building our audience, building that engagement. We're experimenting with different ideas and models around how to monetize it. I loved your analogy in terms of kind of going back to the newsstand, buying that. And I think people have become quite addicted to subscriptions. And I think people want and crave that kind of more flexible approach. I also, my other thing about paywalls and look, I built the paywall at the Journal, I helped build the paywall at the Journal. So, but it kind of stem, it stops curiosity, right? So if you think about the concept that the moment that you're most likely to subscribe is when you're most curious. You've got a story, you've clicked on it, you're really interested in the headline and you get, you know, a hundred words in and it's like, here's the paywall.
And that's poor way to build a relationship with someone, right? So what I'm trying to say is if you use it and you get value from it, pay for it. If you don't use it, don't pay for it, right? But let me not stem you from being kind of curious. One of the ideas, and again, this is where I think AI has been incredibly powerful and helpful, is rather than kind of personalizing necessarily what's going to be in the digest. Well, you started to think about is well, Jordan, you want two different digest. You want one in the morning, you want one in the evening, you're commuting home from wherever your office is in the evening. You want different topics in the evening. You want your digest in the morning to be slightly longer. You want to be able to read in the evening versus watch in the morning. Like how do you build that type of personalization and being able to customize that, is that something that people would pay for? So it's like news on your terms rather than on the way that I want to deliver it to you.
2027 prediction: AI and the value of human curation
Jordan Mitchell
Yeah, it sounds like you're definitely heading in the right direction. And the ARR growth year over year is very impressive, especially for a media brand and just how difficult I would say audience acquisition is and maintaining that, but then also getting the creators on the platform seems like things are going in a really great direction. So congratulations on that. Looking ahead, we're this part I want to hear a little bit more. Like what is your 2027 prediction? For AI's role and media and how it's gonna change news.
Ramin Beheshti
I don't think it's just 2027. I think it's kind of, it's happening now. And I think it will long kind of continue is that the organizations, media organizations that are going to win are going to recognize that there is a value to human curation and people will kind of want that. They'll almost crave it because in a world of AI slop and like they don't know what to trust and you know they don't know what's authentic and what's not authentic they can't trust their eyes their ears in terms of being able to trust anything, people will want to know that they're going somewhere for that kind of human curated view, but they're going to want it on their terms. And the flip of AI is you can ask questions and get answers and you can be at this level of detail or this level of detail, sorry you can't see my hand, and different users and the content has to be able to service both and I think media organisations who are going to win are going to realise that people are going to be increasingly more demanding that they want news and information on their terms rather than the terms that the media outlet decides is going to be delivered on or when the media outlet decides it's going to be delivered on.
Rebundling media: one marketplace for video, audio, and editorial
Jordan Mitchell
Yeah, news on their own terms is very interesting to me. My prediction for I think we kind of see through history the like thinking back to just like film and like the big three and there's there seems to be a concentrated amount of media, then it fragments out, rebundles. We're seeing that now a lot with streaming, different news publications, lots of journalists getting laid off. So there's just so much disruption happening right now. It's like a very interesting time to be in the space.
And another conversation I had, someone told me that they're thinking, and it's actually kind of similar to what you're doing. So I might reach out to her and let her know about SaySo, but she was talking about just getting a multimedia news digest. So your videos, podcasts, editorial kind of all in one place and how that was kind of her prediction on where things were going. Mine is I don't, you know, I think Apple TV is probably the closest to this right now, but I think that there might be like a one media kind of eventually where whether it's audio, video, editorial, maybe there's one kind of marketplace and you're able to do like pay, you know, per content or something like that. So that's my personal I guess, yeah.
Ramin Beheshti
And Jordan, honestly, like that is exactly what we're trying to build. I won't be as out of here saying like, you know, we're going after Apple in that sense, but all terms means I want to watch and you want to listen. And actually it's the same content, but I'm watching and you're listening. We're building that marketplace of creators who meet a certain bar and threshold that you know that when you go there, you can get trusted information from them. So I love those two, those predictions, but I, but I think to your wider point, there is a rebundling that will happen, right? Substack is a great platform. I love the guys who built it. Beehiiv is another one. I'm huge fans of them, but it's a little bit like the wild west when you turn up because you don't know who to trust.
Like who's a reputable Substacker? Who's a, who's and you're kind of like, how do I discover new subjects, new pieces of information? But I want to know that I trust their viewpoint. And actually without part of our business, The Recount is actually doing that in vertical. So we're building out these verticals where we finding Substackers, like for example, in public health and we're bundling them all up and we're saying actually these guys are the ones who are trying to do things in a consistent way.
They've got huge audiences. How do advertisers find those audiences? Because it's all become fragmented for advertisers. And so how we help bundle that up? How can we use our social reach to amplify those Substackers? And how can we do that by vertical? So I definitely agree with the person you were speaking to yourself. There's a rebundling that's happened. And that's how kind of how I'm positioning Caliber across the board.
Jordan Mitchell
Okay, yeah, good to know. Ramin, we've covered a lot of ground in a short amount of time. What is the best way for our listeners to get a hold of you or reach you online?
Where to find Ramin
Ramin Beheshti
So it has been drilled into me by the team to always be on LinkedIn. Like on it, I'm posting even though I feel quite uncomfortable about certain parts of posting, which is ironic given I run a social media company. But if anyone wants to reach out to me, I'm on LinkedIn all the time and I'm much better now at LinkedIn DMs.
Jordan Mitchell
Perfect. Well thanks again, Ramin, for coming on the show. Really enjoyed the conversation.
Ramin Beheshti
Thanks Jordan, thanks for having me on.
